This fall I’ve been extremely fortunate to achieve some quality writing time in ways that were unusually helpful: a week-long writing residency and a weekend writing retreat. Both have given me a clarity on my current work in progress and energized me to finish this story more quickly than I ever could have imagined when I started it in September.

I'm pleased Amanda Zieba is able to join us again. Amanda is an author, a word nerd, a mom, a wife, a teacher, and so much more. Today she gives us excellent exercises for creating great characters. I think designing characters and all their traits (quirky or not) is one of the most fun parts of being a fiction writer. These exercise will definitely get you started.

Happy autumn, writers!

Many of us toil in private for years before we are ready with both our skill level and emotional fortitude to submit work for publication. But where can we submit our precious pages? Depending on what you write and which audiences you’re trying to reach, the answer to that question differs.

Last month, I wrote about how listening and observing combine to improve dialogue-writing sk

Whether you are quietly whispering to yourself, “I am a writer,” or shouting it as loudly as you can, creating a book-length work IS an intimidating process. How do you even begin to do this?

Last summer, I wrote a post about dialogue writing. I’m a conversationalist, a dialogue fan.

How S.M.A.R.T. goals support a writer’s plan

From April 5 to May 5, I taught at three writing conferences, hosted the 4th Anniversary of the Books and Beer book club, and led a writing workshop for a total of twelve “event” days. Frankly, I’m a little tired, but I’m also grateful and rather excited to edit my work in progress and start a new project. Here’s why . . .